We do not know how small R5c is supposed to be.
I think it would need to be smaller than R3 but not necessarily the C70.
The R5 + Ninja V+ sounds perfect for a gimbal provided it does not overheat.
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Canon to add to their Cinema EOS lineup with three new monster cameras [CR3]
- Thread starter Canon Rumors
- Start date
I think it would need to be smaller than R3 but not necessarily the C70.
The R5 + Ninja V+ sounds perfect for a gimbal provided it does not overheat.
Thanks for your experience.
It sounds like you have had better luck with other cameras.
If Canon were perfect then we would not have so many refurbished deals.
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Yeah that’s my biggest question honestly. I’m enjoying the C70 and just shot a 45 minute film with it which was awesome with a few quirks. But really I’m just waiting for the next iterations of Cinema cameras with RF mount as that is clearly their future mount. If that 4k 20 stops DR beast is RF I will be buying that on Day 1 of pre orders.
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That looked completely terrible on my computer screen.
I have to guess that was not an 8K feed and YouTube butchered it.
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Not sure if it’s just my taste (and I am not a video guy anyway) but I thought some of the processing on that video was glorious and other bits were fairly average. What do people think?
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Thats because they are.
Dual Native ISO is toggling between two different gain circuits at certain dB (marketed in many Sony & Panasonic cameras). Think, 640 iso OR 4000 ISO.
Dual Gain Output is reading two different gain circuits at the same time and combining their output to a final image. Think, 640 ISO AND 4000 ISO.
Dual Pixel is a phase detection autofocus strategy.
I much prefer dual gain output as a technology.
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That technique is patented by ARRI.
Canon does it a little differently.
Canon's Dual Gain Output Sensor Explained - Newsshooter
Canon has been receiving a lot of emails and inquiries asking about how their Dual gain Output sensor actually works. So they made a short video to try
www.newsshooter.com
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Dual pixel is not limited to auto focus, it can be used to increase dynamic range by one stop.
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I read that article and both companies explanation of their technology is essentially the same. Hard to tell unless we read the patent papers.That technique is patented by ARRI.
Canon does it a little differently.
Canon's Dual Gain Output Sensor Explained - Newsshooter
Canon has been receiving a lot of emails and inquiries asking about how their Dual gain Output sensor actually works. So they made a short video to try
Dual pixel RAW? That is super quirky and has perspective issues when blending.
Perhaps this is what Canon is doing for DGO but refined with tons of real-time processing.
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I still find their marketing on this confusing. The DGO whitepaper at least clears a few things up. Mainly the term photosite, which they use for the entire unit of two photodiodes. The marketing had made that sound like the individual photodiodes to me.
From the whitepaper I understand that each of the two photodiodes is read separately and they sequentially pass through the same amp, but set to different gains. It certainly is different to the DPAF in some sense, but not as much as some of the marketing would have you believe. After all, it relies on the two halfes pixels to work at all.
And it doesn't seem to actually amplify each photodiode with two different gains like some of the articles comparing it to the Arri implementation suggests.
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