NEVER (0.000%) with mine.You guys got me curious. Does that happen often on the R6 Mark II?
Maybe I've got a "lemon"
Upvote
0
NEVER (0.000%) with mine.You guys got me curious. Does that happen often on the R6 Mark II?
We all have different experiences sometimes, it seems to me. For example, I often come across complaints about the reliability of the R5 - errors, freezing... My experience is such that I have only words of praise after almost 2 years of quite intensive use (about 165,000 triggers).NEVER (0.000%) with mine.
Maybe I've got a "lemon"
When I was covering Wing For Life World Run this year in Zadar in 8 hours of shooting it froze 5 times usually waking up from standby since I work with two cameras R5 and R6mk2 one with a tele lense and the other with wider zoom they often go in a standby when I’m doing shooting.You guys got me curious. Does that happen often on the R6 Mark II?
I’ve never had an error on my original R6, which is almost three and a half years old.
A few months ago I almost took an opportunity to replace my R6 with a Mark II for a few bucks. I didn’t do it, because the time wasn’t right, it wasn’t wise to invest at that time, but now I’m wondering if it was better this way
In their strategy documents Canon writes that their goal is "Achieve overwhelming No. 1 share in mirrorless camera market with full lineup of EOS R system". New Improved camera models sell better than Old Unimproved camera models. Even incremental upgrades help.Canon is pushing out new camera bodies way too quickly. It does make me wonder what is going on behind the scenes. 2 years is a very fast turnover rate for the 6 series.
There such a big gap in resolution between the R6 and R5.
Like the 5DMKIV 30mp is such a good sweet spot. 24mp is limiting in various ways would be nice to have more leeway. Like 18-20mp canons been pushing this since the 60D 7D days. Even the 6DMKII had more.
Neither does 45mp but people aren't ready for that conversation.Every Canon sensor now needs to make sense as a video capture device, not just stills, and 30MP doesn't make sense for video capture.
If they're giving it a CF-Express slot they better be giving it RAW video, and if they're doing that, they better give it CLOG2.Please include C-Log2. Please include C-Log2. Please include C-Log2. Please include C-Log2.
I got the R6II at launch hoping that it would get C-Log2 in a firmware update and was greatly disappointed that it didn’t.
Who says people aren't buying the R3? It's not going to be the R3 censor because if can't run that censor with the R6 (III) processor. Of course the R6 and R6II will depreciate. It happens when the new camera comes out with better specs. The R3 6K RAW is the best video image from any Canon hybrid. We will see if the R5II RAW video can keep up with the R3 image or not. It should be as good or better with Clog2.Canon is pushing out new camera bodies way too quickly. It does make me wonder what is going on behind the scenes. 2 years is a very fast turnover rate for the 6 series.
I guess they had to do something about the excess 24mp stacked sensors lying around when few are buying the R3. If they were to put that sensor in the R6iii i can see it going up to the $2799-2999 price bracket and still be one of the cheapest cameras with a fully stacked sensor. This also means the R6 and R6ii won\'t depreciate in value, new or used.
Why to 30MP or 24MP? The R3 6K RAW video is incredible and I use it to match perfectly with my OG Komodo. I couldn't do that with the R5. The R3Every Canon sensor now needs to make sense as a video capture device, not just stills, and 30MP doesn't make sense for video capture.
I thought 8K video made sense, but I’m not a video guy.Neither does 45mp but people aren't ready for that conversation.
I don't know if the R6III can handle the current R3 sensor. Have you compared the R3 6K RAW to the Komodo RAW image. I've seen your Komodo test and they are great. The R3 6K RAW video is almost an exact match to the Komodo Red Raw image. but has AF tracking and lens stabilization. I know it's a sport photography camera but that stacked back illuminated sensor seems lift the shadows and has the same highlight roll-off as the Komodo.A few years ago many people complained that Canon is too slow. I think they really know their business, and to use the current R3's stacked sensor in an updated version for the R6 III fits to the tradition, that tech developed for flagship models trickles down to lower priced cameras. In fact, I was making up my mind to buy an R6 II with a bigger rebate when the Mk III gets closer, but this looks like the MK III will be really very attractive for tele shooting. So, I may wait now...
No, the R6II does not have the same AF abilities as the R3. The R3 is miles ahead of the R6II AF. I also never liked the R6 compared to the R5. The R5 just seemed better in every way. The R3 is a big jump up Fromm the R5 also. You can get the R3 for $4,000 now. And the R3 6K RAW 60fps has the same image as the IG Komodo. R3 RAW files are about the same size as Komodo RED RAW files. I'm not sure what Canon did with the R3 and RAW video but it's amazing.I would love to see Digic Accelerator being integrated in this camera. The original R6 shared the same autofocus abilities as the original R5 and, correct me if I’m wrong, but doesn’t the R6 Mark II feature most of the autofocus abilities of the R3 as well?
Anyway, this sounds pretty good. I really hope it features a stacked sensor, and that it can shoot 14 bit RAW on electronic shutter. No further requests
It sounds good but from a logistical standpoint it is a nightmare. Shooting 8K even in 8 bit leads to massive file sizes, which increase exponentially if you shoot in 10 bit or 12 bit in the case of the R5II or R5C. Then you need to store all those files somewhere, and need to edit them. That requires you to have a fast and large SSD, and a powerful computer. I fill up 8TB per year on average with my combined photo/video projects. I can't imagine quadrupling the file sizes for the video files. A total nightmare. All that for it to be watched in 1080p on YouTube or Instagram Reels. 6K is the highest I'd ever see myself using and even then I wouldn't use it all the time.I thought 8K video made sense, but I’m not a video guy.
If they're giving it a CF-Express slot they better be giving it RAW video, and if they're doing that, they better give
I'm dealing with this now. lol. But 4K RAW video on the Komodo, 4K 120p on the R5 and R3 and 6K RAW on the R3 produce almost exactly the same file sizes depending on what you record in. You can't get around 4K 120p one the Canon cameras so you don't really take a hit with 6K RAW shooting.It sounds good but from a logistical standpoint it is a nightmare. Shooting 8K even in 8 bit leads to massive file sizes, which increase exponentially if you shoot in 10 bit or 12 bit in the case of the R5II or R5C. Then you need to store all those files somewhere, and need to edit them. That requires you to have a fast and large SSD, and a powerful computer. I fill up 8TB per year on average with my combined photo/video projects. I can't imagine quadrupling the file sizes for the video files. A total nightmare. All that for it to be watched in 1080p on YouTube or Instagram Reels. 6K is the highest I'd ever see myself using and even then I wouldn't use it all the time.