My pet peeve in bokeh is things like onion rings, and severely football-shaped highlights in the corners. What part of bokeh are you saying can be determined from MTF and how?bokeh can be determined
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My pet peeve in bokeh is things like onion rings, and severely football-shaped highlights in the corners. What part of bokeh are you saying can be determined from MTF and how?bokeh can be determined
And people with pacemakers are advised to be careful around them.I THINK it's just a legal thing. Voice coil magnetic fields exist all over the world.
that being said, I'd check with your dr if you have a pacemaker, I am certainly NOT giving any medical advice.
I wish I could understand what does the term \"resolution\" mean when a lens is being discussed. Can anyone help? Even any links that explain what \'lens resolution\' means would be highly appreciated. Thank you!!!!
Can I take it that resolution in lenses is the same as sharpness?
Exactly what I have been thinking. Idk how anyone is shocked by the price. People really want to go back to the DSLR days of a rebel and their 50 1.4 that never really worked, taking pictures of flowers and their cat.the original RF one was 2799 at launch
Show some examples when you get it. I don't do a ton of nightscape, but I'm using the 24 1.8 for them at the moment.Just sent in my pre-order. The bit about how they had designed this with astrophotographers in mind obliterated any resistance I tried to put up in the defence of my wallet. Nightscapes are a special focus of mine. I've been using my RF 15-35 f2.8L. This 24mm is not as wide, but those two extra stops make a huge difference in nightscapes.
Canon seem to have dropped fluorite elements from most lenses. Probably found a way to achieve the same image quality without expensive fluorite elements.In terms of MFT charts and camera sensor resolution, anything over 0.85 on the blue lines / dotted lines is going to out resolve a R5 sensor. What gets us sharpness freaks so excited about lenes that fare high sharpness figures is that the higher figures usually indicate superior sharpenss with teleconverters. This new RF 70-200mm f2.8 LIS Z doesn't dissapoint. the 1.4x TC charts show a similar optical resolution at 280mm as the native RF 100-300mm f2.8 LIS is at 300mm. Sure the 100-300 has a one stop advantage, which is massive. However, this new RF 70-200mm f2.8 LIS Z is impressive optically.
Dial in the weight savings, better MFD and max magnification, slightly better IS system and AF motors....finally a lens to eclipse the old EF lens.
I'm suprised that this lens doesn't have any flourite elements in it's formula.
Would you consider the RF 24-105/2.8L Z to be an extreme edge case? It's a standard zoom costing $3000...and doesn't fill the FF corners at 24mm (though it does by 28mm).
Like it or hate it, 'forced' distortion correction is the new normal. It doesn't bother me, and I'm very glad this lens is a 24-105/2.8 that needs the corners stretched at 24mm instead of being a 28-105/2.8 lens that fills the corners at the wide end. YMMV.
Yes, that was evident from the first set of pictures I took the day I got the lens.The 24-105Z specifically is also designed to have black corners at 24mm.
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Well, black for studio, white for using outside. Canon advertises the white lens as having a "thermal shield", due to its traditional white special painting, so I wouldn't trust the black lens to withstand prolonged exposure to the sun as well as the white. There's definitely more to it than mere aesthetics.If I was in for the 70-200 I wouldn't know which colour to choose.
I expect seeing this 50mm below 1100€ within less than a year, on decent rebates.The answer is of course to wait for the VCM to hit the grey market, that would make it €300 cheaper, if the pricing behaves like the 35VCM.
Scroll down a little bit before you go off the deep end.That's not 4 lenses, that's 3 lenses but 1 lens comes with two different skins.
To say it is 4 lenses is to say that the 6 different color iPhones are 6 different iPhones.
Sheesh, the cheap marketing tricks you guys pull.
Is there, though? Are you sure? The rationale for white paint was the higher thermal sensitivity of fluorite lens elements. Canon does not explicitly say that this new lens has them. There are lots of black lenses, so what in this lens requires thermal shielding? Nikon makes a 70-200/2.8 with fluorite elements, and it’s black.Well, black for studio, white for using outside. Canon advertises the white lens as having a "thermal shield", due to its traditional white special painting, so I wouldn't trust the black lens to withstand prolonged exposure to the sun as well as the white. There's definitely more to it than mere aesthetics.
AFAIK it's never been about the presence of fluorite elements, at least I never heard that.Is there, though? Are you sure? The rationale for white paint was the higher thermal sensitivity of fluorite lens elements. Canon does not explicitly say that this new lens has them. There are lots of black lenses, so what in this lens requires thermal shielding? Nikon makes a 70-200/2.8 with fluorite elements, and it’s black.
Starting with the 70-300L (the first white lens without fluorite), IMO the white paint has been a marketing ploy. Other manufacturers’ use of fluorite in black lenses is consistent with that idea.
Do you remember this from 2013, Neuro?Is there, though? Are you sure? The rationale for white paint was the higher thermal sensitivity of fluorite lens elements. Canon does not explicitly say that this new lens has them. There are lots of black lenses, so what in this lens requires thermal shielding? Nikon makes a 70-200/2.8 with fluorite elements, and it’s black.
Starting with the 70-300L (the first white lens without fluorite), IMO the white paint has been a marketing ploy. Other manufacturers’ use of fluorite in black lenses is consistent with that idea.