Canon Officially Announces 4 new RF Lenses

I THINK it's just a legal thing. Voice coil magnetic fields exist all over the world.

that being said, I'd check with your dr if you have a pacemaker, I am certainly NOT giving any medical advice.
And people with pacemakers are advised to be careful around them.
It would not be a legal thing if it was not an actual risk.
Nikon has the same warnings.
At least Canon has other choices and VCM in the name.
 
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I wish I could understand what does the term \"resolution\" mean when a lens is being discussed. Can anyone help? Even any links that explain what \'lens resolution\' means would be highly appreciated. Thank you!!!!
Can I take it that resolution in lenses is the same as sharpness?

Sharpness is just a subjective description. The resolution of a lens can be defined numerically in terms of line pairs/mm or line widths per picture height on a particular sensor. Look at the plots on opticallimits.com, for example, where the y-axis is defined as lw/ph, and they have some explanation.
 
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Just sent in my pre-order. The bit about how they had designed this with astrophotographers in mind obliterated any resistance I tried to put up in the defence of my wallet. Nightscapes are a special focus of mine. I've been using my RF 15-35 f2.8L. This 24mm is not as wide, but those two extra stops make a huge difference in nightscapes.
 
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Just sent in my pre-order. The bit about how they had designed this with astrophotographers in mind obliterated any resistance I tried to put up in the defence of my wallet. Nightscapes are a special focus of mine. I've been using my RF 15-35 f2.8L. This 24mm is not as wide, but those two extra stops make a huge difference in nightscapes.
Show some examples when you get it. I don't do a ton of nightscape, but I'm using the 24 1.8 for them at the moment.
 
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In terms of MFT charts and camera sensor resolution, anything over 0.85 on the blue lines / dotted lines is going to out resolve a R5 sensor. What gets us sharpness freaks so excited about lenes that fare high sharpness figures is that the higher figures usually indicate superior sharpenss with teleconverters. This new RF 70-200mm f2.8 LIS Z doesn't dissapoint. the 1.4x TC charts show a similar optical resolution at 280mm as the native RF 100-300mm f2.8 LIS is at 300mm. Sure the 100-300 has a one stop advantage, which is massive. However, this new RF 70-200mm f2.8 LIS Z is impressive optically.
Dial in the weight savings, better MFD and max magnification, slightly better IS system and AF motors....finally a lens to eclipse the old EF lens.
I'm suprised that this lens doesn't have any flourite elements in it's formula.
Canon seem to have dropped fluorite elements from most lenses. Probably found a way to achieve the same image quality without expensive fluorite elements.
 
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Would you consider the RF 24-105/2.8L Z to be an extreme edge case? It's a standard zoom costing $3000...and doesn't fill the FF corners at 24mm (though it does by 28mm).

Like it or hate it, 'forced' distortion correction is the new normal. It doesn't bother me, and I'm very glad this lens is a 24-105/2.8 that needs the corners stretched at 24mm instead of being a 28-105/2.8 lens that fills the corners at the wide end. YMMV.

Yeah digital corrections for dark corners or barrel/pincushion is a fact of life now, another tool in the manufacturer's toolbox.

The 24-105Z specifically is also designed to have black corners at 24mm. According to https://www.photonstophotos.net/Gen...ample04P.txt,figureOpacity=0.25,AxisO,OffAxis, the full image height at 24mm is 41.6mm, while at the other zoom locations it is the full FF image circle of 43.2mm.

It looks like the 70-200Z projects the full image circle across the zoom range.
 
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Compare the RF 50/1.4 to the EF 50/1.8 (which I prefer to use compared to the EF 50/1.4.) Well, the AF is crappy on the EF 50/1.8 but the IQ was arguably better. Finding the original MTF graphs for either of the EF 50/1.8s is something of a challenge.
 
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Midwest Photo Preorder Bonus - 2 Years of CarePak for free


With any preorder of the new lenses, Midwest Photo is offering two years of CarePak for free. This offer runs until November 10, 2024


That's not 4 lenses, that's 3 lenses but 1 lens comes with two different skins.

To say it is 4 lenses is to say that the 6 different color iPhones are 6 different iPhones.

Sheesh, the cheap marketing tricks you guys pull.
 
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If I was in for the 70-200 I wouldn't know which colour to choose.
Well, black for studio, white for using outside. Canon advertises the white lens as having a "thermal shield", due to its traditional white special painting, so I wouldn't trust the black lens to withstand prolonged exposure to the sun as well as the white. There's definitely more to it than mere aesthetics.

The answer is of course to wait for the VCM to hit the grey market, that would make it €300 cheaper, if the pricing behaves like the 35VCM.
I expect seeing this 50mm below 1100€ within less than a year, on decent rebates.
I've been consistently able to purchase my RF lenses with 30 to 40% off the MSRP, without having to resort to grey imports, with the exceptions being my 28-70 f/2, that got close to 50% off, and a RF 135mm that I got today for a little over 50% off the MSRP.
 
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Compare the RF 50/1.4 to the EF 50/1.8 (which I prefer to use compared to the EF 50/1.4.) Well, the AF is crappy on the EF 50/1.8 but the IQ was arguably better. Finding the original MTF graphs for either of the EF 50/1.8s is something of a challenge.
Here's the 50mm f/1.8ii

EF_50mm_1.8ii.png
 
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That's not 4 lenses, that's 3 lenses but 1 lens comes with two different skins.

To say it is 4 lenses is to say that the 6 different color iPhones are 6 different iPhones.

Sheesh, the cheap marketing tricks you guys pull.
Scroll down a little bit before you go off the deep end.

RF 24/1.4 VCM
RF 50/1.4 VCM
RF 70-200/2.8 Z in two colors
RF-S 7.8/4 VR

By my count, that’s four. But I did learn to count many decades ago, so maybe it’s done differently these days.
 
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I've had my EF 50/1.4 since 2003. Not the greatest lens in the world, though it does offer up a smoother bokeh than the 1.8 lenses of the time.

Looks like its time to replace it - although this new 1.4 is a little expensive (and I have the old 50/1.2L EF lens to fall back on), it might well prove to be a very good portrait/event lens. Actually, a 24, an 50, and something like the 135 would make a nice trio for low light events as long as you don't have to be too far from the subject.
 
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Well, black for studio, white for using outside. Canon advertises the white lens as having a "thermal shield", due to its traditional white special painting, so I wouldn't trust the black lens to withstand prolonged exposure to the sun as well as the white. There's definitely more to it than mere aesthetics.
Is there, though? Are you sure? The rationale for white paint was the higher thermal sensitivity of fluorite lens elements. Canon does not explicitly say that this new lens has them. There are lots of black lenses, so what in this lens requires thermal shielding? Nikon makes a 70-200/2.8 with fluorite elements, and it’s black.

Starting with the 70-300L (the first white lens without fluorite), IMO the white paint has been a marketing ploy. Other manufacturers’ use of fluorite in black lenses is consistent with that idea.
 
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All things considered I think Canon is doing a great job with these releases. I paid about 1700$ when the EF 24mm II came out so this is a better price than I was expecting for the new 24. It's an automatic buy for me. Let's hope Canon spoils us for choice with big whites similar to what we are seeing with this series of primes.
 
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Is there, though? Are you sure? The rationale for white paint was the higher thermal sensitivity of fluorite lens elements. Canon does not explicitly say that this new lens has them. There are lots of black lenses, so what in this lens requires thermal shielding? Nikon makes a 70-200/2.8 with fluorite elements, and it’s black.

Starting with the 70-300L (the first white lens without fluorite), IMO the white paint has been a marketing ploy. Other manufacturers’ use of fluorite in black lenses is consistent with that idea.
AFAIK it's never been about the presence of fluorite elements, at least I never heard that.

I do know, however, that the little guides that run on the zoom helicoids in Canon zoom lenses are made out of teflon (PTFE), which doesn't cope well with high temperatures, as it can get permanently deformed with heat.

Canon clearly states the new white lens features the heat shield, as does the original RF 70-200mm

70200.jpg

screenshot taken from https://www.canon.co.uk/lenses/rf-70-200mm-f2-8l-is-usm-z/
 
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Is there, though? Are you sure? The rationale for white paint was the higher thermal sensitivity of fluorite lens elements. Canon does not explicitly say that this new lens has them. There are lots of black lenses, so what in this lens requires thermal shielding? Nikon makes a 70-200/2.8 with fluorite elements, and it’s black.

Starting with the 70-300L (the first white lens without fluorite), IMO the white paint has been a marketing ploy. Other manufacturers’ use of fluorite in black lenses is consistent with that idea.
Do you remember this from 2013, Neuro?

 
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