As a few of you know I made the purchase of the Crane 2. It arrived yesterday and since I had to clean the 1DX2 extension foot I accidentally burned I was delayed getting it into operation. Not a good idea to be learning new gear into the wee hours of the night but that's what I was doing - just like a child.
Well, the small confusions that existed for me today have vanished and I can report that everything seems to be fine. At this moment I have shot video with the 24-70 F4 and the 11-24. The actual balancing of both is relatively easy especially if you're balanced for one and then switch to the other.
The range of motion with the 11-24 is more restricted but not enough to be an issue IMHO. For example I could walk with the collapsed feet in my midsection like a flagpole without losing control. Great care needs to be exercised if one intends to flip the unit over etc. as certain parts will contact in the extreme movement case and likely scratch something.
So, at this moment I don't feel any twinge of regret in the purchase.
The video I watched where the 70-200 2.8 was mounted looked touch and go but again if you are careful to keep the gimbal upright there should be adequate travel. Perhaps it's reasonable to assume that shooting at 200 is not going to be a situation where you expect major movements.
Being new to video, I'm happy to contribute my thoughts but I have no expertise so hopefully others will chime in on the topic of gimbal stabilizers, technique and so forth.
Jack
Well, the small confusions that existed for me today have vanished and I can report that everything seems to be fine. At this moment I have shot video with the 24-70 F4 and the 11-24. The actual balancing of both is relatively easy especially if you're balanced for one and then switch to the other.
The range of motion with the 11-24 is more restricted but not enough to be an issue IMHO. For example I could walk with the collapsed feet in my midsection like a flagpole without losing control. Great care needs to be exercised if one intends to flip the unit over etc. as certain parts will contact in the extreme movement case and likely scratch something.
So, at this moment I don't feel any twinge of regret in the purchase.
The video I watched where the 70-200 2.8 was mounted looked touch and go but again if you are careful to keep the gimbal upright there should be adequate travel. Perhaps it's reasonable to assume that shooting at 200 is not going to be a situation where you expect major movements.
Being new to video, I'm happy to contribute my thoughts but I have no expertise so hopefully others will chime in on the topic of gimbal stabilizers, technique and so forth.
Jack