What’s next for the Canon Cinema EOS line?
- Thread starter Canon Rumors
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This all sounds wonderful - really, it does! - but people should keep in mind that Sony is having a very hard time filling orders for a camera announced last year, the FX6, due to the chip shortage. I have colleagues that ordered one in Sept/Oct 2021, and still have not received it.
So it seems reasonable that whatever big camera Canon annoucnes next, won't really be in peoples hands until Q4 2022/Q1 2023.
So it seems reasonable that whatever big camera Canon annoucnes next, won't really be in peoples hands until Q4 2022/Q1 2023.
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Are all these new variants going to have RF mounts? If the C300 and C500 have interchangeable lens mounts, can Canon introduce RF lens mount "modules" for them?
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I wonder if that 20 stops of DR will actually translate into a usable 14+ stops like on the Arri Alexa Mini LF?
The top tier model has the lowest resolution… which honestly is more than enough. High resolution in cinema camera just leads to trying to find ways to remove detail… vintage lenses… anamorphics… Promist filters etc… I think a nice solid 2.5 to 3K might be ideal for cinema work.
The top tier model has the lowest resolution… which honestly is more than enough. High resolution in cinema camera just leads to trying to find ways to remove detail… vintage lenses… anamorphics… Promist filters etc… I think a nice solid 2.5 to 3K might be ideal for cinema work.
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In the professional world, there is no such thing as "a PROPER HDMI". Considering HDMI is non-locking and a full-sized cable connector is pretty large, I think it's almost more of a liability than one of the smaller variants.
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I like the .71x speedbooster from Canon more than I thought I would. There is no discernible distortion or loss of IQ. That - combined with the regular glass free adapter - means you can enjoy full frame ef glass at two fields of view, and super35/apsc glass like the Sigma 18-35 remain useful. If you have ef glass it’s great… not so good if you’ve moved to rf.
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Can’t agree with you there. Pretty much every large cine camera (see c300/500 etc) has a full size connection. Sure SDI is preferred, but they all have HDMI as well and it’s never mini or micro which are all but useless - they easily break - and sure to be the number one complaint from professionals using the R5c.
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Everyone's focused on the cameras and the dynamic ranges, but OMG the lenses! 14mm T1.5, 24mm T1.3 and 135mm T1.5 translates to f1.4 and f1.2 versions photo lenses. How big and heavy and costly are those going to be?? 
rool:
rool:
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I like an EVF, Some have no use for any EVF. It makes a different rig to add an EVF to a C70. You need external power and with the Gratical SDI.
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I’m using EF, RF, EF-s, and my personal favorites, Canon FD & FL glass. I just ordered the Metabones FD to RF speedbooster. Looking forward to trying it out. You can adapt about anything to RF. I really love it.
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