In 2023, Canon aggressively expanded its RF lens lineup with several new lenses. Looking ahead to 2024, we anticipate that Canon will continue this trend and focus on developing lenses that have been highly requested by shooters.
Two previously rumoured lenses have appeared in recent patent applications and would surely be extremely popular.
Canon RF 70-150mm f/2L IS USM
Back in 2019 it was reported that Canon was working on another f/2 zoom lens to be a big mate to the RF 28-70mm f/2L USM, this latest patent application shows Canon has continued to work on such a lens.
- Focal length: 72.10mm – 146.49mm
- F-number: 2.05
- Half angle of view: 16.70° – 8.40°
- Image Height: 21.64mm
- Overall Length: 217.31mm
- Back Focus: 13.71mm
We do believe another f/2 zoom is in the pipeline and this sort of lens would be massive in both size and price.
Canon RF 70-200mm f/2.8L IS USM
This year we reported that Canon would add another 70-200 lens to the lineup, but this time with an internal focus design. This is one of the more requested lenses for pro shooters and will likely arrive in 2024.
- Focal length: 72.12mm – 194.03mm
- F-number: 2.90
- Half angle of view: 16.70° – 6.36°
- Statue Height: 21.64mm
- Overall Length: 217.47mm
- Back Focus: 37.98mm
2024 promises to be an exciting year for both prosumer and professional Canon enthusiasts, anticipating the launch of the EOS R1, EOS R5 Mark II, updates to the Cinema EOS series, along with a substantial lineup of new lenses.
Source: asobinet
When you purchase through links on our site, we may earn an affiliate commission. Here's how it works. |
A 70-150/f2.0 would be amazing for portrait work. In theory it would be about the same size and weight as the EF 70-200 /2.8 LIS III. The max focal length for a 77mm front element at f2 is around 150mm.
These new Z lenses seem to be video only lenses ported over to the RF mount. So I'm sure we will see a lot more of them in the future and many newly co-developed lenses for both formats. Different lenses and build buy sharing the same optical formula.
And those will go back to the "WhErE aRe ThE 3Rd PaRtY lEnSeS" narrative.
The 24-105LZ already criticised for too heavy, too big, too much digital correction.
The CN-E 18-80 T4.4 is a cinema lens with AF and IS that can be used for photography.
The drawbacks to the 18-80 are that it is more expensive, super 35, and curiously only has firmware support only only a few hybrid cameras.
Although, it works on all the cinema cameras.
I shot with the RF 28-70mm F2 a couple of times and I loved it, but that particular focal length didn't really intrigue me with F2 enough to purchase it. 70-150mm would be different though
Also, if your lens is permanently racked out to 200mm when you use it, then you need a longer lens. Personally, ~30% of my shots with 70-200 lenses (both EF and RF) are at 200mm. You might consider the 100-300/2.8, that may better meet your needs since it has an extra 100mm, internal zoom and takes TCs.
EF MkIII
2020 patent
2023 patent
This is a patent for what would be a new lens.
For me personally, I was never interested in the EF versions of the 70-200mm lenses. I thought they were extremely big and bulky for the focal length they offer. The size and weight of the RF versions got me to buy one and I absolutely love the RF 70-200mm. I did sell it because I had too many lenses (well, I was wrong ) and I recently repurchased it. This one will be a keeper for a long time.
Not my lens.
Another 70-200/2.8?
I like the small design of the existing RF.
TC compatibility and better IQ could be the only reasons for me to look at another and bigger design.